{"id":7792,"date":"2025-05-15T14:17:29","date_gmt":"2025-05-15T17:17:29","guid":{"rendered":"https:\/\/watermarktheatre.com\/?page_id=7792"},"modified":"2026-05-15T15:17:40","modified_gmt":"2026-05-15T18:17:40","slug":"paul-van-dyck","status":"publish","type":"page","link":"https:\/\/www.watermarktheatre.com\/fr\/paul-van-dyck\/","title":{"rendered":"Paul Van Dyck"},"content":{"rendered":"<p><strong>Philip dans Relatively Speaking, Ray dans Sugar Road<\/strong><\/p>\n<p>Paul est ravi de revenir au Watermark Theatre apr\u00e8s son r\u00f4le dans <em>The Woman in Black<\/em> l\u2019\u00e9t\u00e9 pass\u00e9<em>.<\/em> R\u00e9cemment, il a jou\u00e9 dans <em>No Man\u2019s Land<\/em> au Magnus Theatre \u00e0 Thunder Bay et dans <em>Sakura <\/em>au Centaur Theatre (Montr\u00e9al). Il a aussi jou\u00e9 dans de douzaines de films, d\u2019\u00e9missions de t\u00e9l\u00e9, de jeux vid\u00e9o et de dessins anim\u00e9s, comme <em>Unicorn Academy<\/em> sur Netflix et <em>SuperKlaus<\/em> avec Colm Feore. En tant que directeur et dramaturge, Paul a re\u00e7u de nombreuses reconnaissances, entre autres, le prix de la cat\u00e9gorie Com\u00e9die de la Playwrights Guild of Canada, le prix de la cat\u00e9gorie R\u00e9v\u00e9lation du Montreal English Critics Circle et le prix de la cat\u00e9gorie Direction exceptionnelle du Montreal English Theatre Awards. Il a d\u00e9j\u00e0 particip\u00e9 aux stages de direction au Festival Shaw, il a repr\u00e9sent\u00e9 le Qu\u00e9bec au Forum national \u00e0 la Playwrights Guild of Canada, et il est le directeur artistique fondateur des Rabbit in a Hat Productions. Paul d\u00e9tient un BAH de la Queen\u2019s University et une MFA en \u00e9criture cr\u00e9ative de l\u2019UBC, et il a r\u00e9cemment enseign\u00e9 la dramaturgie \u00e0 la Bishop\u2019s University.<\/p>\n<p><a href=\"http:\/\/www.paulvandyck.ca\/\">www.paulvandyck.ca<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7713\" src=\"http:\/\/watermarktheatre.com\/wp-content\/uploads\/2025\/05\/Paul-Van-Dyck-headshot.jpeg\" alt=\"\" width=\"874\" height=\"746\" srcset=\"https:\/\/www.watermarktheatre.com\/wp-content\/uploads\/2025\/05\/Paul-Van-Dyck-headshot.jpeg 874w, https:\/\/www.watermarktheatre.com\/wp-content\/uploads\/2025\/05\/Paul-Van-Dyck-headshot-300x256.jpeg 300w, https:\/\/www.watermarktheatre.com\/wp-content\/uploads\/2025\/05\/Paul-Van-Dyck-headshot-768x656.jpeg 768w\" sizes=\"auto, (max-width: 874px) 100vw, 874px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Philip dans Relatively Speaking, Ray dans Sugar Road Paul est ravi de revenir au Watermark Theatre apr\u00e8s son r\u00f4le dans The Woman in Black l\u2019\u00e9t\u00e9 pass\u00e9. R\u00e9cemment, il a jou\u00e9 &hellip; <a href=\"https:\/\/www.watermarktheatre.com\/fr\/paul-van-dyck\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7792","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/pages\/7792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/comments?post=7792"}],"version-history":[{"count":3,"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/pages\/7792\/revisions"}],"predecessor-version":[{"id":8467,"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/pages\/7792\/revisions\/8467"}],"wp:attachment":[{"href":"https:\/\/www.watermarktheatre.com\/fr\/wp-json\/wp\/v2\/media?parent=7792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}